<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>French Kiss on Solo Gonzales</title><link>https://sologonzales.com/tags/french-kiss/</link><description>Recent content in French Kiss on Solo Gonzales</description><generator>Hugo</generator><language>en</language><lastBuildDate>Sat, 09 Sep 2023 16:00:57 +0000</lastBuildDate><atom:link href="https://sologonzales.com/tags/french-kiss/index.xml" rel="self" type="application/rss+xml"/><item><title>The Reign on Notre-Dame</title><link>https://sologonzales.com/the-reign-on-notre-dame/</link><pubDate>Sat, 09 Sep 2023 16:00:57 +0000</pubDate><guid>https://sologonzales.com/the-reign-on-notre-dame/</guid><description>&lt;p>In &amp;ldquo;I am Europe&amp;rdquo;, Gonzales&amp;rsquo; brilliant lyrics metaphorized major European cities and countries within a catchy Boys Noize soundscape. At the time, having lived in and travelled around Europe for a decade, Gonzales explained that he still had an &amp;ldquo;outsider&amp;rdquo; view of European history and culture, and that his lyrics simply reflected what he observed. Fast-forward another decade and Gonzales appears to find himself back in the country that formed the genesis of his ethereal Solo Piano—but this time, he&amp;rsquo;s not an outsider anymore, having lived about half his life in Europe. He&amp;rsquo;s not necessarily an insider either but was likely looking for a new challenge that would drive the authenticity that can only stem from a beginner&amp;rsquo;s mind, and in the case of &amp;ldquo;French Kiss&amp;rdquo;, capturing Gonzales&amp;rsquo; deep lyrical wit completely in a non-native language (i.e., France&amp;quot; French—as opposed to Quebecois) was likely a formidable—and slightly risky—task. &lt;/p></description></item></channel></rss>