Back in April 2013, we covered an interview Gonzales had with “Sud Ouest” (a regional French magazine). Within the interview, he indicated that the “inherently imperfect” sound of the piano sounds even more perfect to our ears, and added that there will, “no doubt be a Solo Piano III or a Solo Piano IV album.” Four years later, we’re happy to say that all signs are pointing to Gonzales actively working on Solo Piano III. The first hint we saw was a Twitter response Gonzales sent to someone who had a question:
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Very rarely are we treated to a nexus of talent that echoes the great duos: Bacharach and David, Webber and Rice, Morrissey and Marr, to name a few. The inability for critics and music services to “pigeonhole” Room 29 is ample evidence of the novel space the album holds; not to say the record companies haven’t tried, with made-up categories such as “Classical Crossover.” After repeated listenings, Room 29 solidly remains in a category unto itself – a musical and lyrical adventure. Feist pointed out that Room 29 (the album) is actually the soundtrack to Room 29 (the performance), but while the majority of us miss out on the added visceral benefits of a live performance, Room 29 (the album) evokes powerful mental images of our own creation – a unique and personalized Room 29 performance for each listener. The review below is obviously based on our own experience (save a few choice quotes) and our familiarity with the unbelievably high water mark Gonzales sets for himself. Continue reading →
Reflections on Perceptions and Projections
We are in Hollywood. At one of the probably most legendary hotels of the world. The Chateau Marmont. People famous and ordinary have come here for decades to escape, take drugs, love, hide, fuck, destruct or even kill themselves. A vanishing beauty, whose charm has survived, but whose facade fades. Zoom into Room 29, where Chilly Gonzales makes the piano, which has been there for decades, tell the tales of times long passed, and where Jarvis Cocker translates tunes into deeply resonating words – into a reflection on perception. We are at the stage and album premiere of contemporary song cycle Room 29 at Hamburg’s Kampnagel.
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Honing and refining his skill, moving from Solo Piano to chamber music and now to voice and piano (and chamber music), Gonzales’ trajectory appears to focus on re-introducing classic techniques to new audiences. And one senses that listeners are ready for something with deeper and lasting meaning; not since the heyday of disco have audiences been subjected to deep and relentless domination of dance-oriented 4/4 pop – people are looking for a different relationship with music. Room 29 is a collaborative effort, bringing together the witty and insightful lyrics of Jarvis Cocker and the deep and emotional Gonzales piano that we know and love. From the pre-release tracks, it’s easy to hear how well this pairing works, but (as with any Gonzales release), there’s a lot of background to discover and layers to peel back – let’s have a closer look. Continue reading →