Solo Piano III: A Triad of Life

Tomorrow is the day we have all been waiting for: Solo Piano III will finally be here. Fortunately, we were at the premiere in Geneva. Unfortunately, Gonzo didn’t play the full album – however: Fortunately, the few pieces made my soul rejoice. Unfortunately, the Ostinato made me aware I’ll never ever reach heavenly Aretha’s voice. Fortunately, Gonzo gone Beast for a minute, played the drums like the most freakin’ Muppet. Unfortunately, my amateur rhymes are just a rapper’s spit turned into foam. Fortunately, this idea here killed the white paper syndrome. Unfortunately, “Fortunately, Unfortunately” was the first and only “Soft Power” song he played live in ages. Fortunately, it’s a (re-)start – those pieces belong to the stages.

I know this sounds much better in its original form, but it expresses what the whole concert made obvious: Gonzo embraces his whole oeuvre like never before. The upcoming album is not only a sign of the times, but a statement from a musical humanist. 

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Solo Piano: A Decade of Shadow Play

Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art. – Frédéric Chopin

10 years ago, in the fall of 2003, Gonzales began composing a series of short songs for solo piano that would eventually redefine his career and expose his music to a worldwide audience. Disenchanted with his role as producer for French icons such as Jane Birkin and Charles Aznavour, the recent Parisian transplant transformed his feelings of isolation into piano pieces that combined the emotion of Ravel, Debussy, and Satie with the pop sensibilities of Michael Jackson. The resulting album, appropriately dubbed “Solo Piano”, seemed to represent a radical departure from his previous ventures, which were more closely associated with prankster rap and hip-hop. Continue reading