A veritable barrage of Tweets based on the mashable.com interview – mostly user-generated as opposed to retweets.
Explore the Twitter graph below!
His first October-scheduled Lincoln Center show in New York was gone with the wind, or better: blown away by superstorm Sandy. Last Friday, it seemed the Weather God still hasn’t turned into a Chilly Gonzales fan. According to numerous tweets, people queued along the street for hours to see his two substitutional shows – in the pouring rain. It was an outpour of praise in the end which proves that it was obviously worth it. Continue reading →
It’s hard to believe that half a year has passed since Solo Piano II was released, but as a timeless album, it keeps gathering new listeners. New fans may have picked up Solo Piano, Ivory Tower and “The Unspeakable Chilly Gonzales” or other albums. With music as good as Gonzales’, there’s a certain ‘insatiable’ quality – a desire to seek out more emotionally stimulating songs. Luckily, Gonzales has an entire slew of albums and singles that you may not even be aware of. From original songs, to remakes and collaborations, there are plenty of relatively obscure discs and songs are available for purchase and download. Continue reading →
Just imagine you were coeval with Händel or Mozart and wanted to listen to some music. You would only be able to choose from a selection of three possibilities at the most: go to a concert hall, make music yourself or in case you had the privilege of noble birth, enjoy it as part of the courtly cultural life. Fortunately, nowadays music is always available and repeatable. Still, it felt as if storage data devices haven’t been invented yet, when Chilly Gonzales played the Kölner Philharmonie on December 29th. He introduced so many new, yet unfortunately unpublished pieces that it was a real treat and indulgence, but at the same time evanescence and the knowledge of singularity were omnipresent. The Faustian verse “If to the moment I shall ever say: ’Ah, linger on, thou art so fair!’” could have been the epigraph to this final concert in 2012. Or was it a pointer to the future and into the direction of “more orchestra”? Continue reading →
Recent tweets between Gonzales and a follower brought an injustice to our attention:
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